Relaxing Music – “Later In The Bar” [Lounge Music] – YouTube Relaxing Music

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“Later In The Bar” by Tiki Tiki
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Great lounge music is a matter of choice. The term “lounge music” in itself is a catch basin phrase for music that is light and relaxing, and is often believed to include generally electronic chillout tracks. However, my list below suggestions veer somewhat more towards the jazzy spectrum of lounge music, which date back longer than the sample-based “loungy beats” of the past few decades.


Billie Holiday


Lounge music in the 1930’s implied swing music, when huge bands played with a whole cast of horn players and strings. In those days, great lounge music could be heard in hotels and elegant clubs, and these were the places that Billie and the young boys gigged.


Close your eyes and listen to her early recording of “Summertime”, and her other performances from the popular opera “Porgy and Bess”, and you ‘d feel what it’s like to experience Holiday. Go through her brochure and find blues-filled vocals in jazz requirements like “Don’t Explain”, “Lover Man”, and “My Man.” She taped “God Bless The Child” in 1940, which ended up being the most significant hit of her career.


Ms. Holiday’s life was full of drama and melancholy, and her drug problem took her away at an early age. She passed away in 1959, at the age of 44. If you took a closer listen to her live recording that Verve released in 1952, you ‘d probably observe how her voice has actually altered from her early years. But in spite of being scarred and gravelly sometimes, it still offers me the chills at each listen.


Michael Franks


I chose to embrace this as good lounge music, as the soft melodies and laid-back instrumentation are appealing and relaxing at the very same time. His first five studio albums, I recommend checking his tunes “Vivaldi’s Song” and “Mr. Blue”. Beware of both the “Eggplant” and “Popsicle Toes”, as you may end up tapping your feet to their mild beat.


Massive Attack


The late 1990’s saw an emergence of a kind of music that sounded like an amalgamation of contemporary city beats and the rhythm and blues of the past. With Massive Attack at the core of the growing scene, individuals in the clubs called it trip-hop. Being a vital part of great lounge music, their songs relied heavily on beats that were pulsating and subdued at the same time. They also combined fantastic lyrics with the noise of melodic electronica. This is one group that deserves your auditory attention, no matter your age bracket or your musical preferences.


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